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Jacket2 offers commentary on modern and contemporary poetry and poetics . We publish articles, reviews, interviews, discussions and collaborative responses, archival documents, podcasts, and descriptions of poetry symposia and projects. Not unlike a daily news forum, we will publish content as it is ready. Visit our index for an ongoing and comprehensive list of all J2 content.

In the course of Keston Sutherland’s  Scherzos Benjyosos , inarticulate pain is transformed into elegy, and elegy, at the last, into love song. This is first and foremost a prosodic achievement. I do not mean by this simply that prosody offers figures or symbols for the poems’ thematic and narrative content — that the book’s tormented passage from pain to love is echoed and illustrated by the shapes and sounds of the text on the page and in the ear (though to some extent this is true). Rather the pressure t

In the course of Keston Sutherland’s Scherzos Benjyosos , inarticulate pain is transformed into elegy, and elegy, at the last, into love song. This is first and foremost a prosodic achievement. I do not mean by this simply that prosody offers figures or symbols for the poems’ thematic and narrative content — that the book’s tormented passage from pain to love is echoed and illustrated by the shapes and sounds of the text on the page and in the ear (though to some extent this is true).

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