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Description: Marketing planet Earth one project at a time.

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As I near the halfway mark on my first edit of SOS United States , I take the same process with the edit of a novel as I do with my screenplays. With the first draft of anything I write, I reread the copy at least twice so when I complete a project, it’s relatively clean—at least that’s the goal.

But sure enough, when I let a draft sit for a few days before I go back for a first edit, I pick up a variety of things that have been missed, don’t make sense, or just need to be reworked. But this, of course, is a good thing. Generally, my aim is to have a solid manuscript complete before it goes off to an editor.

I cannot stress the importance of retaining a good editor. This should be a person who is great at their craft, enthusiastic to read your work and will provide solid feedback (good, bad, or indifferent).  Nothing is worse than reading a book, screenplay, or article that you can tell hasn’t been properly edited.  Many years ago, I withdrew from an acting project as the filmmaker missed a glaring plot hole in his screenplay. When I brought it to his attention, he didn’t want to hear about it. It wasn’t worth

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