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Introduction
Modernity is rarely associated with ruins. In our everyday comprehension ruins rather bring to mind ancient and enchanted monumental structures; an archaeological dream world featuring celebrities such as Machu Picchu, Pompeii and Angkor Wat. Yet never have so many ruins been produced; so many things been victimized and made redundant, so many sites been abandoned. Closed shopping malls, abandoned military sites, industrial wastelands, derelict mining towns, empty apartment houses, withering capitalist and
This marginalization and othering of the derelict materiality of the modern was one concern grounding the Ruin Memories project, an international research project funded by the Norwegian Research Council. Through theoretical studies and a number of case studies in Spain, Iceland, Estonia, Sweden, Norway, USA and Russia, we have since 2010 explored how the ruins of modernity are conceived and assigned cultural value by focusing primarily on three themes: The aesthetics of waste and heritage, the materiality