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If you’re reading this blog, you probably know the story — at least, you think you do. As Steven Spielberg began production on 1993’s Jurassic Park, he and Industrial Light and Magic’s Dennis Muren planned to execute the all-important visual effects component of the film’s prehistoric predators using tried-and-true stop- and go-motion animation 1 . But a bleeding-edge computer animation test convinced Spielberg and producer Kathleen Kennedy to risk it all on computer-generated dinosaurs, forever altering th
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