Description: Current distribution methods from the makers/producers/distributors themselves
From the Underground Film Journal
I’m talking to different filmmakers and curators in an effort to get information about all kinds of distribution today. You are the Director of Grand Detour and the Experimental Film Festival, both in Portland. How would you describe the state of experimental film distribution as it exists today?
I think that in some ways, the idea of distribution is really changing (although I can’t speak to print traffic as I deal so rarely with it compared to a lot of my peers). SVOD is starting to open up new possibilities. For better or for worse, we’re moving away from experiencing the physical commodity of a film.