I can’t believe it’s been so long since I’ve posted. I left the country the morning after Michael Brown was killed and only heard bits and pieces with my jet lagged mind over in Europe. I still haven’t got my head around what went on in Ferguson and continues to happen. And I’m back home now in Los Angeles observing a strange media era that resembles the seventies in a way with ethnically based TV shows like Goldbergs , Black-ish , and the upcoming The McCarthys touted on billboards all over town. Then I’m
Here’s the passage that raised my hackles:
part of what has also set “Dear White People” apart is the distinctive diversity of influences behind it. Although Simien has been sure to acknowledge leading African American predecessors such as Spike Lee or John Singleton — he introduced an academy screening of Lee’s debut, “She’s Gotta Have It,” in Los Angeles over the summer — he has also made references to filmmakers Wes Anderson, Stanley Kubrick, Ingmar Bergman, Fritz Lang and a host of others.