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Going into this final season, I feel like the Game of Thrones writers had two choices: they could either follow through on what was dramatically satisfying for the show, or intentionally subvert those expectations to make a point about the pursuit of power and the inevitability of corruption. The former ending is fairly predictable, but also feels right for the show: Jon Snow’s parentage is revealed, threatening Dany’s claim, but they get married to solidify their claim. Dany’s predilection toward “fire and
But the showrunners (and, presumably, George RR Martin, although we can’t be sure) chose the other route. Instead, the prophecies were meaningless, and any similarities to events onscreen were just coincidences. Jon Snow’s parentage was a giant red herring, its pointlessness actually being the very point: that lineages are meaningless, and a terrible way to choose who should rule. Daenerys, who always showed an inclination toward violence and easy solutions, proved that absolute power corrupts absolutely wh
This weekend, one of my favorite shows on Netflix bit the dust. Victor Fresco’s gleefully bizarre “Santa Clarita Diet,” about an undead realtor and her family murdering bad folks to keep her fed, was one of the strangest and most stylistically unique shows around. It was consistently hilarious in the way that audiences often appreciate, yet fail to properly value in a show until it’s ostensibly gone (see also: the fan outcry when the under-the-radar Brooklyn 9-9 was cancelled).