Co-curating with dramaturg Zoe Svendsen on 'THE FACTORY OF THE FUTURE (WE KNOW NOT WHAT WE MAY BE)' (2018-19); workshops and provocations engaged conservationists and policy makers in whether human ingenuity can restore our relationship with our planet. Dialogues were re-enacted in a series of short films exploring an imagined future. Whilst Assistant Curator, working with John Fanshawe, at Cambridge Conservation Initiative (image © metisarts.co.uk).
'Cyanopic landscapes' (2022) consists of a series of images which explore a world that is tinted with blue. It asks how it feels emotionally when one of your senses changes unexpectedly? How does it alter your perception of the world and the perception of self within a world or self that no longer make sense?
[SYNTAX ERROR], the pseudonym sometimes used for my artist-self is inspired by the following rhetoric: Syntax – rules that govern the ways in which words combine to form phrases, clauses, and sentences, the ‘correct’ order or arrangement of words and phrases. Syntax errors are ‘mistakes’ in using the language. But what if this order or language doesn’t make sense to you? What if the rules that govern actually exclude and disable? In computer programming, a programme will not compile until all syntax errors