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In this book, Caroline Magennis explores the new generation of writers in Northern Ireland and how the post-conflict period lead them to a new engagement with intimacy and intimate life.

Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, this book argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze.

Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers.

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