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TABLE OF CONTENTS

1. HISTORICAL CONFLUENCES 2. FORMAL/INFORMAL 3. TECHNOLOGICAL PRACTICES 4. THE ROLE OF THE FINE ART CARTOON-REVISITATION 5. ADDENDUM: THE RECONSIDERED AND YET, RESTATED 6. THE CONTEMPORARY CARTOON AND THE ECONOMICS OF PAINTING 7. TOMORROW’S WORK

Thinking of the painting, Self –Portrait with Carnation, 1912, Otto Dix, I realize that my endeavor in art is serious business. And that is not to say that art is not full of its pleasures. But, any career endeavor offering little capital reward for extensive work should be taken serious. That is, of course, if you are a person of integrity who can find craft in the studio and in one’s lifestyle. Therefore, understand my necessity to imbibe the sublime in my paintings, and also too understand, that I am not

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