Description: Amanda Boetzkes is a theorist of contemporary art and aesthetics. She is the author of Plastic Capitalism: Contemporary Art and the Drive to Waste (MIT Press, 2019), The Ethics of Earth Art (University of Minnesota Press, 2010), and a forthcoming book titled Ecologicity: Vision and the Planetarity of Art. Edited books include Artworks for Jellyfish (And Other Others) (Noxious…
Amanda Boetzkes
Amanda Boetzkes is a theorist of contemporary art and aesthetics. She is the author of Plastic Capitalism: Contemporary Art and the Drive to Waste (MIT Press, 2019), The Ethics of Earth Art (University of Minnesota Press, 2010), and a forthcoming book titled Ecologicity: Vision and the Planetarity of Art . Edited books include Artworks for Jellyfish (And Other Others) (Noxious Sector, 2022), Heidegger and the Work of Art History (Routledge, 2014), and a forthcoming volume on Art’s Realism in the Post-
She has published in the journals South Atlantic Quarterly ; Afterimage ; Postmodern Culture ; E-flux ; La Furia Umana and Stasis among others. Recent book chapters appear in The Posthuman Pandemic (Bloomsbury, 2022); Nervous Systems: Art, Systems, and Politics Since the 1960s (Duke UP); Climate Realism: The Aesthetics of Weather and Atmosphere in the Anthropocene (Routledge, 2021); and Art in the Anthropocene: Encounters Among Politics, Aesthetics, Environments and Epistemologies (Open Humanities P