Description: Portfolio curator Amalija Stojsavljevic Art Brut Serbia
The last, or the third phase of my professional development was marked by coming to Vienna and enrolling in the Master´s Program in Art History at the Institute of History of Art. As a Third-world student, you quickly become aware of the fact that, in addition to having no access to the labor market, you are also limited by the research repertoire- it is expected of you to deal with topics specific to the context from which you come from. This is productive on one side, because you can show to new environme
Since I did not want to deal with, in my view, already impoverished and inactive "art narratives," I joined the intercultural, non-profit association LINE IN, whose main goal was to encourage diversity through various cultural and artistic events. By participating in LINE IN Association, I saw the advantages (and disadvantages) of working in the non-governmental sector, which actually opened up a possibility to independently create serious, multi-year artistic projects that could be financially feasible.
Even though I was a member of the LINE IN Association, I established the Association Kunstentropie in Vienna in 2018 as a platform for the promotion and research of independent artistic and cultural tendencies ( Verein für zeitgenössische und nicht-akademische Kunst und Kulturveranstaltungen ). During this first phase, the association realized an initial festival called Kunstentropie and began to develop the long-term project Uterus Effects . However, the growing interest in researching feminist discourse,