The themes, images, and cultural vernacular of Victor Fleming’s The Wizard of Oz continue to haunt David Lynch’s art and filmography—from his very first short, The Alphabet , to his latest series, Twin Peaks: The Return . LYNCH/OZ posits that no filmmaker has so consistently drawn inspiration—consciously or unconsciously—from a single work. Is David Lynch trapped in the land of Oz? If so, can we derive a new appreciation for Lynch’s body of work from taking a closer look at how it intersects and communi
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