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Salò, or the 120 Days of Sodom ( Italian : Salò o le 120 giornate di Sodoma ), billed on-screen Pasolini's 120 Days of Sodom on English-language prints [3] and commonly referred to as simply Salò ( Italian: [saˈlɔ] ), is a 1975 art horror film [a] directed and co-written by Pier Paolo Pasolini . The film is a loose adaptation of the 1785 novel (first published in 1904) The 120 Days of Sodom by Marquis de Sade , updating the story's setting to the World War II era. It was Pasolini's final film, being releas
The film focuses on four wealthy, corrupt Italian libertines in the time of the fascist Republic of Salò (1943–1945). The libertines kidnap 18 teenagers and subject them to four months of extreme violence, sadism , and sexual [ disambiguation needed ] and psychological torture . The film explores themes of political corruption , consumerism , authoritarianism , nihilism , morality , capitalism , totalitarianism , sadism, sexuality , and fascism . The story is in four segments, inspired by Dante 's Divine Co
Premiering at the Paris Film Festival on 23 November 1975, the film had a brief theatrical run in Italy before being banned in January 1976, and was released in the United States the following year on 3 October 1977. Because it depicts youths subjected to graphic violence, torture, sexual abuse, and murder, the film was controversial upon its release and has remained banned in many countries.
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